COLLECTIVE MOANS OF A VACUUM CLEANER
Choir wirth human and house appliances voices
2024 See_Lab, Deen Haag
Performers: Laura Modoni, Maitiú Mac Cárthaigh, Mar Fu Qi, Rosa van Walbeek, Cristina Lavosi, Stefano Cattani, Valerio Conti
The work features a collective attunement of household appliances and people. The project merges an installation component with a performative aspect, exploring pornographic processes and inter-human intimacies. A series of unfolding elements that sit between images and sculptures are scattered throughout the space participating in the choir.
OUTSIDE THE HOSPITAL DOORS
part of the collective exibition “outside the hospital doors”
Voorburg, 2024
This intervention transforms the hospital room into an architectural body, with the modular ceiling structure serving as a skeletal or epidermal framework. The imagery, resembling flesh and tissues, "erupts" from the ceiling, creating a visceral tension between the sterile, functional space of the hospital and the raw, organic materiality of the images.
Staring Stones
Installation and performance
2023 Grad Show, Kabk
The scene takes place in a staged intimate space partially covered by a suspension, in ruins but at the same time not formed yet. All the pieces present are living in a process of elaboration, transposition and transformation of pornographic images and body fragments into a material. The work carries the memory of an experience intertwined with sexual desire, a sense of disconnection and desolation that arises from the overwhelming ubiquity of screens.
Unstiched reverse
Work part of "What the swans are twittering about in the riverbe" in Trixie, The Hague (NL) a group show curated by Elena Apostolovskiz. 2023
Unstitched Reverse" interplay between materiality and desire, with a specific focus on the transformative process of photographic images. Central to the work is the duality of two images that are photographic negatives of each other, resulting from a material interaction. One image is created by pouring latex over the original picture, allowing the latex to absorb its colors, and become a fleshy, tactile embodiment of the image itself. This transformation turns the latex into a "flesh of the image," while the original picture loses its color, becoming a negative of itself.
photo by Ariane Toussaint
photo by Ariane Toussaint
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photo by
Ariane Toussaint
photo by Ariane Toussaint
